Thursday, July 17, 2008

Nikon 17-35mm f/2.8D ED-IF AF-S

Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras

Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras Buy this product from Amazon
 
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Publisher : Nikon

Customer reviews

I received a Dud!! 2 by .. NJ ()
Check the quality control of this lens when you buy. Mine had severe front focus problems. Even when i selected the auto focus sensor the lens still had focusing issues . The lens was soft to F4. At F2.8 the images were incredibly poor. In my 20+ years of photography i have never seen a lens this bad. To make sure, i borrowed a friends 18-55VR. This $200.00 lens had better color saturation, contrast and accurate auto focus. Not only that, but it was sharper. To get the 17-35 as sharp, i had to stop down to F8. I tried to get another sample but they were out of stock, so i just returned it. I know a lot of people rate this lens 5 stars, and i understand that ever now and then you get a bad sample, but this lens had multiple problems. On the positive side, it is not as big and heavy as some people claim. It balances well on my D200, and the autofocus is fast. I will be looking into the 24-70 2.8.

First Class Glass 5 by .. Fred Stevens (Portales, New Mexico)
This is a first-class professional quality lens. I am using it on Nikon F5, F100, and D200 bodies. I bought it in anticipation of purchasing an FX digital format successor to the D200/D300 DX-format cameras. It is extremely sharp from edge-to-edge, rendering crisp images with great color and contrast. Good low-light performance for natural people-pictures. On my film-based shoots, it is nothing short of spectacular. With digital, I am presently using DX-format cameras, so the focal-length range is reduced. But, when used with an FX-format digital, I expect equally exceptional results. This lens is considered both heavy and pricey by some. However, I find the weight promotes better stability with hand-held images. The price is right for what you get. I also like a depth of field indicator on the aperature ring for doing wide-ange shots employing hyper-focal distance techniques. You don't get this with the newer g-series lenses. If you can afford this lens and are going to go FX-format, buy it.